![]() Speaking about the support he has received from the community, Robert said: “It’s quite revealing when you meet people like this who want to help you, they don’t have to do it yet they still do. Attendees: Piper Cole, Martha Casselman, Steve Pinsky, Steve Weissman, Stuart Harrison, Carol Rice Robert Gould. The moment on Thursday (April 22) she and Dave revealed how much people had donated, Robert was “grinning like a schoolboy” underneath his mask, Anka said. The fundraiser soon far exceeded Anka’s initial aim of £200, with the generosity of the Muswell Hill community raising £2,140 in total, enough to clear the overdraft Robert had built up since losing his job.Īnka said: “The support and love from everyone has been absolutely overwhelming.” Since then she has updated the post several times and added a fundraiser on April 2 to help Robert cover his rent in the short-term. More than 500 people reacted to Anka’s Facebook post when it first went up on March 23. Oddly for Aurélien Guichard, a technical master with a particular proficiency in balancing linear and traditional forms, Notes and Calypso both come off as rather monophonic. It's possible that the perfumer aimed low and hit lower still, hoping for the perfume equivalent of a catchy pop song, but winding up with a jingle.With so much changing so quickly, keep on top of what is happening with the Mirror's news updates by email.ĭelivered straight to your inbox, our daily coronavirus briefing will keep you informed of what is happening with Covid, lockdown, the vaccination rollout and the impact on how we live. It documents the existence of the book, Notes on Conceptualisms by Vanessa Place and Robert Fitterman, which was first. The new Robert Piguet line seems intended for a younger, less perfume-experienced buyer than their Futur and Fracas buyers. Calypso is a 21st-century Cool Water and Notes is a spin on Jean Paul Gautier’s le Male. Although they don't smell particularly alike, the similarity of their construction is close enough that they fill the same slot, and neither is a stellar perfume. ![]() I haven't smelled all of the new Robert Piguet line, but having both Calypso and Notes in the same line seems a mistake. Piguet’s Notes could very easily have been his first draft, returned by the client for being too similar to the original. Aurélien Guichard made a flanker of Jean Paul Gautier le Male called le Male Terrible. (I forgot to specify that after the first sniff nothing changes for hours)Ī scenario popped into my head the moment I smelled Notes. Let’s stick to vintage Piguet’s and pretend the brand doesn’t exist anymore. The price is pure highway robbery to me, and that is part of why my review may sound too grave. So basically it’s boring and not even nice. See the complete profile on LinkedIn and discover Robert’s. ![]() Robert has 4 jobs listed on their profile. Both uninspired, as it sits close to the cheapest scent’s around, and even within this lack of creativeness or at least “elegance”, particularly clumsy and cheap-smelling. View Robert Knotts’ profile on LinkedIn, the world’s largest professional community. To which Notes smells quite similar in fact, basically it is a generic “whatever” masculine aromatic citrus-woody cologne. ![]() It collects Bressons reflections on cinema written as short aphorisms. I don’t want to sound pretentious with all these “something” but that is what I smell – generic plain stuff, precisely like in any mall’s fragrance or deodorant. Notes on the Cinematographer is a 1975 book by the French filmmaker Robert Bresson. At the first sniff Notes smells like a ton of cheap, mass-marketed colognes: a dull bergamot-citrus note with aromatic neroli, synthetic mossy woods, a hint of evernyl (synthetic oak moss), something vaguely floral (lavender) and some aromatic fruity notes.
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